If getting published were one journey, maybe I would have done things differently, but it wasn’t direct. Getting published was closer to an interwoven, four-strand braid of trails rather than one isolated path. One goal was to be published. Another dream was to rescue horses. A third was to finish my Doctorate, and the fourth objective was simply to pay the bills.
How I juggled those four objectives is still a mystery to me 😉 But my story of getting published started with cookbooks. I had a Polish boyfriend at the time and wanted to impress him with my cooking – in particular, my Polish cooking. I didn’t have a clue about Polish cuisine, so I put an ad in the local (Belleville, NJ) newspaper, asking for authentic Polish recipes. Keep in mind, this wayyy predated the Internet.
If the people would show me how to cook the dishes, I’d pay them the hefty fee of $5.00. (Okay, laugh, but in 1969, five bucks was a lot of money, at least to me.) Surprisingly, I had quite a few takers – enough to write a cookbook – and they were wonderful! They’d invite me into their kitchens; show me how to make the dishes; share their family recipes; and then eat dinner with me. I loved it! (And I made a few friends.)
From writing cookbooks, I progressed to technical writing for several years (as, what else? a Technical Writer/Editor). Then I wrote college textbooks. (By this time, I was teaching ESL at Soochow University in Taipei, Taiwan.) And from there, I “graduated” to writing novels.
Obviously, a direct path…
What is your book that you will feature today and how did you come up with the idea to write it?
Fox Tale is my latest release. My husband works for a Japanese company. When he was instructed to meet with his Tokyo team, I leapt at the chance to accompany him. The next thing I did was research Japan’s cryptids. What appeared were Inari’s kitsunes or fox spirits—and voilà , the idea for Fox Tale was born.
What are Inari’s kitsunes? Japan’s history of foxes is complex.
According to Fox Tale’s leading man, Rafe, “Originally, Inari was the concept of a successful rice harvest. Over time, devotees fleshed out that belief, and Inari became the androgynous god of wealth.”
“And the kitsunes?” asked the protagonist, Ava.
“The relationship has always been cooperative…Initially, foxes kept rice fields free from rodents, ensuring good crop yields. Eventually, people humanized the foxes into guardians and agents.”
While my husband attended meetings, I explored Tokyo, sometimes alone on foot and sometimes with a group tour. I took copious notes, and each site I visited became part of my developing story. With the supernatural element, as well as the locale established, my imagination began taking flight.
I spoke to locals as often as possible, asking if they believed in kitsune--or if their neighbor or grandmother believed in them. (Luckily, many Japanese speak English!) Not one admitted to believing in the old superstitions, but almost all knew of someone who did.
Said Fox Tale’s antagonist, Ichiro, “Most Japanese live in concrete canyons, and rational university educations replace superstition. Still, fox stories persist through theater, festivals, language, and literature…or kiterature as I call it.”
“Despite a waning belief?” I leaned closer.
“Even today, some believe in fox possession…although believing in kitsunetsuki might not be fashionable in this age of supercomputers and artificial intelligence, stories still circulate in the tabloids and mass media.”
“For example?”
“In 2019, a doomsday cult member rammed his car into pedestrians on Takeshita Street, then pled not guilty on the grounds that the cult was fox possessed. And as recently as 2022, the Sessho-seki split in two.”
Skeptical, I squinted. “The what did what?”
“The killing stone…according to legend, it imprisoned an evil nogitsune vixen. Her spirit escaped when it split in half and began spewing sulfur fumes, killing anyone that approached…For over a thousand years, Japanese medical practitioners considered kitsunetsuki a disease. Even into the twentieth century, psychologists believed fox possession caused mental illness.”
“But not anymore…” Crossing my arms, I hugged myself, seeking reassurance. “Right?”
“Today, therapists consider kitsunetsuki a psychosis or a culture-bound syndrome. Although”—he shrugged—“its symptoms can extend to people familiar with the Japanese culture.”
Gathering all the information I could from locals, as well as researching online, the plot for Fox Tale began to take shape. Once I had the realistic component that tied the supernatural to the natural, I had the storyline. Then the characters emerged as the story unfolded in my mind.
When my husband finished his meetings in Tokyo, we visited Kyoto, where we toured Fushimi Inari. The mountain is sacred in the Shinto religion, a place where “deities coexist with nature” and where, some believe, Inari resides.
Fushimi Inari has an ethereal presence. Its otherworldly aura and scenery are difficult to describe, but if anything supernatural could occur, it would happen on that mountain.
While at that shrine, the various parts merged into the basis of Fox Tale: the supernatural element, general locale, plot, characters, and finally the specific location for the eerie activity.
Lo and behold, Fox Tale was born.
Fascinating! Let's get a Blurb:
Heights terrify Ava. When a stranger saves her from plunging down a mountain, he diverts her fears with tales of Japanese kitsune—shapeshifting foxes—and she begins a journey into the supernatural.
She’s attracted to Chase, both physically and metaphysically, yet primal instincts urge caution when shadows suggest more than meets the eye.
She’s torn between Chase and Rafe, her ex, when a chance reunion reignites their passion, but she struggles to overcome two years of bitter resentment. Did Rafe jilt her, or were they pawns of a larger conspiracy? Are the ancient legends true of kitsunes twisting time and events?
What’s your next project or what are you working on now?
My current WIP is a suspense intrigue thriller--a departure from my more usual genre--paranormal romance. I believe Sino-American diplomatic relations will decline as tensions between Taiwan, China, and the US intensify. In my next novel--working title, Silkworm--I’ll put those predictions into print.
Silkworm portrays a US Senator’s daughter caught between two men, two cultures, two political ideologies, and the two Chinas. A love triangle is the metaphor for Taiwan and China (the two dragons) competing for geopolitical and technological accords with the US.
As mainland China seeks to recover the third of its lost provinces–Taiwan–Rachel Moore struggles to escape the triple nightmare of impending war, a marriage of convenience, and an assassination plot against the man she loves. Silkworm weaves their stories with the trilateral events currently erupting in Southeast Asia.
How do you come up with your plots?
I’m a pantser, no question about it. I do make short outlines of what happens next, but I’m too spontaneous to follow any extended framework. Besides, when I “play dolls” with friends, that is, brainstorm my plot, I often prefer their ideas to mine, which makes for far more interesting plot twists than I’d devise.
What advice do you have for beginning writers?
I’ve received little writing advice. However, I started life as an actor and received an immense amount of advice for that career.
The best advice I received was to keep at it--in that case, acting, but the same words apply to writing. Keep at it. Don’t quit. Keep honing your craft and, eventually, you’ll succeed.
The worst advice I’ve received was from an editor--translation: a frustrated author—who demanded I indiscriminately follow her redrafting of my manuscript in an attempt to overwrite my style with hers.
However, my advice for writers is to R E A D! Read everything that interests you. Read when you’re bored. Read when you can’t sleep. Read at the beach…in front of the fire…in bed…waiting for doctor appointments…
Then begin reading genres that are similar to the style in which you’d like to write. Analyze what works and what doesn’t. Find common denominators or rules of thumb between the characters or plots. What makes memorable characters? How does the author maintain the story’s fast pace or add to its suspense? Decide specifically what you like about each author’s style.
Next, start writing about what interests you. Express yourself as honestly as possible. Write about what you know, what you’re familiar with—even your childhood. Keep a notebook. Jot down ideas as they come to you!
Finally, start drafting a story that “grabs you.” Push through that first draft to the end, no matter how painful. (There’s a magic wand called rewrite that allows you to complete any half-baked thoughts later.) The point is to finish the first draft. See it through. Only then should you go back and develop your story.
Occasionally, you’ll find that the story--and even the characters—will seize the pen (AKA your imagination) and draft the story for you!
Sometimes, it’s good to take a vacation from your manuscript. When you return to it, you’ll find your thoughts will have gelled and expressing them comes more easily.
Then rewrite. If necessary, rewrite again and again until your story accurately expresses your message.
Finally, polish your prose. Go back and read each line out loud. The ear catches what the eye misses. Refine your words and phrases until they sparkle.
Before you know it, you’ll have found a genre, even--dare I say it?--your style!
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